In fact: too much expression and eyeball for comfort. Whereas The Yellow Kid had dots for eyes in his goblin pug-mug, Buster was a perfect child, and therefore bore the smooth features of White God Himself: pert jowls, the least amount of nose possible, and huge, expressive eyes. Buster in the strip is drawn as a normal kid, but Buster in ads looks like the meat-stuffed gunny sack you give to a couple mourning a misplaced reborn doll. Whatever they dosed him with to move product, it opened The Red Door. For every one of these products, Buster’s glazed stare says chloral hydrate, but his wicked grin says cathinone to the grave. Louis at the peak of its “Meet Me in…” popularity, where he sold Buster out as an ad mascot to 200 licensees.Īs 1-900-HOTDOG’s own Lydia Bugg conclusively proved, cartoon licensing scours a mind of sanity. See, speaking of the World’s Fair, Outcault had spent 1904 in St. Pick five random Buster Brown comics, and six of them will advertise Buster products and productions. But by 1907 the comics would be the last way to encounter him, because Buster was the Garfield of his day. If you only read the normal comics, you’d think Buster was just a fancy Dennis the Menace. So it wasn’t until 1907 that Buster and Mickey met in a dream-tale that is likely comics’ first crossover and also its first homage to Little Nemo in Slumberland. These two imps first appeared together on a 1904 postcard, but by that token, Batman and Superman first teamed up for a World’s Fair cover even though they never dueled over Martha within its pages. Let me tell you the original kid, aka Mickey Dugan, was way more prone to racism, considering he was an Irish stereotype whose appearance barely qualified as human: Not counting that one nightmare you keep having, the Yellow Kid is most recognizable these days as the inspiration for Sin City’s sexually undeterrable Yellow Bastard. Buster’s sidekick was his Cheshire dog Tige, and there were a bunch of other characters we don’t care about, because none of them is seventeen poltergeists fighting to animate the corpse of a drowned child. He assuredly grew up to be the jerk who tosses women into the pool at Gatsby’s parties. Outcault as a reversal of his popular slumrat The Yellow Kid, Buster was an apple-cheeked rich kid whose beauty belied his insufferable antics. I don’t know why we’re making horror movies about lovable teddy Winnie the Pooh when Buster’s been the creepy giggling coming from the public domain attic for years.Ĭreated in 1902 by R.F. He was early 20th century’s first go at a gleeful twerp, but modern eyes have seen enough internet obscenities to recognize a psychophage. You know how our grandparents’ Halloween costumes are chilling for the wrong reason these days? Some kid’s rabbit mask was cute in the Depression, but looks like the hotel-ghost of a serial killer now.
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